#Iggy azalea songs fancy series#

Iggy may be a more confident rapper than Debbie Harry in 1981, but she also sounds like she’s trying really hard. “Fancy’s” London-based production team The Invisible Men, working with co-producer Kurtis “The Arcade” McKenzie, have reduced the song’s sonic footprint to little more than that digital pulse and a recurring skitter-step beat, which owes more than a little to the 2004 smash “Tipsy” by J-Kwon.Ĭompared to Charli’s monster hook, Azalea’s rapping is the track’s weaker sister. That sound is indebted to early-’80s electro-rap pioneer Afrika Bambaataa, Nu Shooz’s 1986 pop&B classic “I Can’t Wait,” and late-’80s female-rap trio JJ Fad. Rhythmically the song is electro-hop, powered not by a traditional rap breakbeat but by a rubbery synth bounce. 1?” And it has to be said that “Fancy” is crafted like a Swiss watch.Īs a pop-radio dominator, “Fancy” has two big things going for it: tight production and a great supporting performer.

#Iggy azalea songs fancy series#

Besides, the title of this series isn’t “Why is cultural appropriation so profitable?” (Short answer: It always has been.) It’s “Why is this song No. I have written my share in the past six months about the charts, race, and how the digital era has given a lift to hegemonic pop culture we needn’t go there again. So let’s give it up for the ladies who rap-even if Azalea’s play-acting has been called everything from minstrelsy to, more charitably, rap’s greatest drag performance.